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This 1948 film takes up what was, at the time, a rather delicate subject. The somber theme is relieved by several fantasy scenes which depict Christopher's daydreams. The backdrop of these sequences resemble enlarged sketches to highlight their fanciful nature. While the humor is rather mild, these dream sequences develop our perception of Chris. They reflect his inner struggle with the decision he must make and reveal his self-perception and psychological resources. Ted Donaldson played Christopher Blake. Ted, born August 20, 1933, was a little older than the character he brought to life in the film.
This 1948 film takes up what was, at the time, a rather delicate subject. The somber theme is relieved by several fantasy scenes which depict Christopher's daydreams.
Ted Donaldson played Christopher Blake. Ted, born August 20, 1933, was a little older than the character he brought to life in the film. Christopher's character is developed in a series of dream sequences. The backdrop of these sequences resemble enlarged sketches to highlight their fanciful nature. While the humor is rather mild, these dream sequences develop our perception of Chris. They reflect his inner struggle with the decision he must make and reveal his self-perception and psychological resources. Alexis Smith played
his mother and Robert Douglas his father. Cecil
Kellaway, as the judge, turned in a fine performance
as a crusty sort with a kind heart, who only wanted
what was best for all the Blakes.
As the film opens, Christopher Blake's mother meets him upon his return from summer camp. Christopher is a bright, rather imaginative boy of 13 and inclined to daydream. His dad's absence from home alerts Christopher that something isn't quite right. He learns quite by accident that his parents are separated and filing for divorce. Chris must decide
whether he wants to live with his father or his
mother, a dilemma which Chris is at pains to resolve.
During a fishing and camping trip with his dad, Chris'
father discloses that he has been seeing another
woman. Back home, when this subject is brought up,
Chris' mother tells the boy that she feels taken for
granted. The moment of truth arrives at the
courthouse. The judge, meeting privately with Chris,
asks him whether his parents should be divorced. Chris
answers yes, and the judge tells him that he had
already decided on that course, though he dislikes
divorce in general. With Chris in his chambers, the
judge first asks for Mrs. Blake to join them. He gives
her his decision and directs Chris to tell which
parent he chooses to live with. Chris says, "My dad."
Mrs. Blake, in tears, is disappointed but accepts
Chris' decision and wishes them well. Next
Christopher's dad is told to come in, and Chris in
everyone's presence, tells his dad he's going to live
with his mother! Dad, obviously disappointed,
nonetheless, wishes Chris and his mom well. The
judge's ploy works, however. Chris' parents realize
their lives would be empty apart from each other and
without their son.
Christopher wore a sports coat over a
short-sleeved plaid shirt and long dark trousers in
the opening scenes. Later, he wore a long-sleeved
light colored shirt with long dark trousers at home.
On the fishing trip wore a casual sports shirt and
long chino trousers, and in another scene we see Chris
in pajamas. Chris wore a dark, double-breasted, long
trousers suit, and dark tie with a small pattern in
the courtroom scenes. In one of the fantasy scenes
Chris wore what looked like a vintage school uniform
with long trousers and in another fantasy scene, he's
dressed in a tuxedo and top hat.
This film has held up reasonably well over the years.
The subject of divorce is today hardly taboo, but
nonetheless just as traumatic for children today as in
1948, the year of this film. The film's outcome is
predictable for modern viewers, and the parents seem
quite amicable and civil for two people headed for
divorce court. Nevertheless, the film is a sensitive
and rather imaginative handling of its theme and still
quite watchable.
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